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Martial Arts Origins Sacred Weapons Videos

Video : Acing Silambam in a Saree

Most urban, young women today see the saree as a dress for special occasions. Compared to modern attire, the saree is rather restricting and limits one’s movements. Not to mention how difficult it is to get a perfect drape if you are a novice! But this video uploaded by Aishwarya Manivannan on National Handloom Day (August 7) might just change your mind about the versatility of the six-yard wonder and all that you can do wearing one. Silambam, for starters.

Watch Aishwarya rock the saree while performing this traditional martial art from Tamil Nadu:

‘Silambam’ or ‘Silambattam’ comes from the Tamil words ‘silam’ (hill) and ‘perambu’ (bamboo). The type of bamboo used to perform Silambam comes from the Kurinji hills in South India and the martial art is named after it.

Silambam is so ancient that it finds mention even in Sangam literature such as the ‘Silapathikaram’ and others, dating its origins to as far back as the 2nd century BC.

According to tradition, sage Agastya was on his way to Vellimalai, when he began a discussion on Hindu philosophy with a fellow traveller, an old man, who was really Lord Muruga in disguise. The old man taught the sage kundalini yoga and other techniques of controlling and channelizing energy in the body. Agastya practised these techniques and later compiled the learnings in three palm leaves. The basis for Silambam is said to have come from these compilations.

Other martial arts that are popular in South India, like Kalari payattu, Kuthu Varisai and Vaalveechu, are considered to be offshoots of Silambam.

The Sports Development Authority of Tamil Nadu has recognized Silambam as a sport and has introduced it in school education.

There are many varieties of Silambam and the ones that are in vogue currently are ‘Por Silambam’ (warfare), ‘Silambattam’ (folk dance) and ‘Potti Silambam’ (sport). Apart from the traditional stick that is used to perform this martial art, practitioners also use weapons like deer horns, spears, swords and small knives.

Silambam is making a come-back these days in cities as a novel way for fitness freaks to get a solid work-out. It’s said to be a great calorie burner that improves blood circulation and heart function, while shaping the body and relieving the mind of stress and fatigue. Saree or yoga pants, traditional or modern, if you’re looking to shed some pounds, Silambam might just be your answer!

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Fountainhead of Yoga

History of Asana and Exercise in India

[box_light]Asana is the aspect of Yoga least detailed in older Vedic and Yogic texts and is the aspect of classical Yoga given least importance overall. Sometimes little more about asana is said in the older texts than the need to sit straight ( Bhagavad Gita and Upanishads), or to maintain a comfortable pose (Yoga Sutras).[/box_light]

This has led some people to think that the active asana approaches and movements, such as practiced by many modern Yoga groups, were not part of the older Yoga traditions or were not known in India. It has also gotten some to hold that active or strong exercise methods, like calisthenics type movements, only entered India recently through Europe and were previously unknown, with Yoga asanas being the main form of exercise taught in India. This plays into cultural stereotypes that Indians are physically weak and the Europeans physically strong – a view that arguably borders on racism.

To adequately approach this issue, we must first examine the greater exercise traditions of India, including Vedic martial arts, and not limit ourselves to yogic texts. We must also understand how Yoga asana and exercise in general relate, their similarities and differences, and their respective places in Indian culture.

Yoga was never primarily an exercise tradition and we cannot look to yogic texts for understanding the exercise traditions of India. Dhanur Veda or the Vedic martial arts is the main basis and oldest form of exercise tradition of India and one that has continued to develop over time.

Yoga and Dhanur Veda overlap to some degree, but more active forms of exercise connect primarily with Dhanur Veda and only secondarily with Yoga.

[box_light]Asana and Exercise Traditions: Related but Different[/box_light]

There has been a tendency to look at asana or yoga postures as the main exercise system practiced historically in India, with any more active exercise approach like calisthenics and weight lifting, being perhaps a recent borrowing from the West, or even something not particularly Indian, with Indians being more mental than physical types. This plays into stereotypes of India as not having strong martial or military traditions, some arising from the recent emphasis on Gandhi ahimsa in the country. Several scholars of modern Yoga have proposed something of this kind. A deeper examination, however, finds this view to be inaccurate or incomplete.

First of all, Yoga asana, as part of classical Yoga traditions like the Yoga Sutras, was never meant as a merely an exercise or fitness system.

Asana in Sanskrit means a chair or a seat, and in terms of bodily positions implies a seated pose, and by extension any pose assumed or held for an extended period of time.Asana in classical Yoga was not meant as simply a type of physical exercise, which is called vyayama in Sanskrit, but as part of Yoga practice, called Sadhana, a spiritual discipline resting upon the ability to sit or be still for long periods of time for the practice of meditation. Traditional Yoga asana was not meant as a workout or fitness drill. However, we must recognize that other exercise traditions did exist in India, besides Yoga asanas, which were more active in nature, and sometimes did use asanas and vinyasas along with other stronger exercise practices.

Yoga asana could be used as part of other Indian exercise approaches, sometimes serving a role like preliminary warm ups or stretches. In these cases, case such asana practice was not regarded as Yoga, which means a spiritual path in Sanskrit, but as a means of bodily health and strength. In other words, asana as exercise did exist in ancient India but as a different orientation from asana as classical Yoga, which was a tool to still the body for meditation, not meant as a physical workout.The use of asana in exercise approaches should be discriminated from its role in meditation approaches, though some natural overlap exists.

India as a vast subcontinent and great ancient civilization has its own ancient and diverse traditions of exercise, martial arts, gymnastics and dance that cover the full range of exercise practices, including every sort of callisthenics. India did not require the Europeans in order to bring the idea of physical fitness or exercise into the region. The same situation existed in China and the rest of Asia that also had slower or more internalizing forms of exercise like Yoga or Tai Chi, which did not mean that they did not also have stronger exercise approaches as well. India has its own long traditions of martial arts.

[box_light]Martial Arts and Indian Exercise Traditions[/box_light]

India has a great heritage of its Kshatriya, its martial, military, aristocratic or princely class, just as most of the world had until recent times. It is among these traditional martial arts that we can find the most diverse and extensive traditions of exercise. Even the Vedas speak of the unity of Brahmin and Kshatriya or spiritual and warrior traditions and the need to honor both.[ Hindu warrior traditions continued through history and developed along with changes of warfare through the centuries.

The Vedas have a special tradition of martial arts called Dhanur Veda, which is one of the four Upavedas or secondary Vedas.  Such Vedic martial arts like Kalari remain popular in South India to the present day, though many others have probably been lost in the course of time. Dhanur literally means a bow, so archery was one of these martial arts. Yet India has had a long tradition of sword fighting as another martial art.

The most famous ancient guru of the martial arts or Dhanur Veda, who is found in the Ramayana as well teaching the martial arts to Rama and Lakshman, is the rishi Vishvamitra, a famous Rajarshi or royal sage, combining both Kshatriya and Brahmin lines. Vishvamitra is the seer of the third of the ten books of the Rigveda and of the famous Gayatri mantra, the most widely used Vedic mantras for all the Hindus.

Hindu history and stories like the Puranas laud many ancient warriors and kings, along with their great victories, a number as chakravartins, meaning world-conquerors or universal rulers. The Vedas themselves contains many verses in praise of ancient kings and their martial exploits, like Trasadasyu, with some Vedic hymns composed by royal sages like Sudas or Mandhata. Great warriors like Arjuna or Rama had special weapons or astras created through the use of mantra and meditation, and harnessing the forces of nature. This martial aspect was always there with the different Hindu, Buddhist and Jain dynasties in the region.

Martial arts are well known in Buddhist monastic traditions of China and Japan. These are attributed an Indian origin to Bodhidharma, who came from the famous city of Kanchipuram, not far from modern Chennai. Bodhidharma was said to have brought both Zen and Martial arts to China.

Hindu monastic and sadhu traditions are well known for their martial lines, like the famous Naga sadhus who wield tridents or Trishulas to the present day, leading the marches of monks for the great Kumbha Mela gatherings. A Hindu monastic order today is called an akhada, which also means a gymnasium (much like the Greek Academy). The monastic orders have asanas, exercises and martial arts, in part to keep the monks active and physically fit.

Many Hindu monastic orders over the past thousand years were formed to help protect Hindu society from the attacks of Islamic armies and had such martial sides.

The Indian warrior class also used mantras and called upon deities for success in battle, like the famous battle cry “Jai Sri Ram”, that is still the war cry of the Indian army of the state of Uttar Pradesh.

The Goddess Durga was said to have given the royal sword to the kings, including such figures as Sivaji of Maharashtra.The colonial British army owed its prowess to its  Gurkha soldiers from Nepal. Gurkhas mainly worship the Goddesses Kali and Durga, Hindu martial Goddesses, and claim connection to Gorakhnath, the main Nath Yogi behind Siddha Yoga and Hatha Yoga traditions. Their war cry is “Jai Ma Kali, Here Come the Gurukhas.” Hatha Yoga itself arose as part of a martial and monastic approach to Yoga. Hatha itself means force in Sanskrit.

[box_light]Weight Lifting, Weapon Lifting and Physical Development[/box_light]

Indian martial arts training involved the use of heavy weapons including swords and the mace (gada). Bhima, one of the five Pandavas and companions of Lord Krishna, was famous for his use of the mace and defeated Duryodhana in a mace fight. Hanuman also was famous for his mace. Such heavy weapon training served like weight lifting to build the muscles.

Even the use of the bow, particularly the long bow that we find in India depictions like that of the Ramayana, requires a lot of muscular strength in order to use. Rama’s story was that only he could string the bow of Lord Shiva as it was so difficult that no other warrior could do so.

All the other princes tried and failed. Rama gained Sita as a wife as his reward for stringing the bow. Rama was well known for his expertise at archery.

India has extensive traditions of wrestling. In fact Lord Krishna was regarded as a great wrestler and was thought to have defeated his enemy Kamsa in a wrestling match. Such wrestling traditions employed different exercise approaches than Yoga and much like wrestling from throughout the world.

India has a long tradition of depiction of athletes, warrior and muscle men, as does most of the cultures of the world. The great avatar and emperor Lord Rama is the forest of these, portrayed with his long bow and a strong physique. Hanuman, his monkey companion, is a kind of Indian superman, noted for his muscular strength and miraculous powers. Bhima, the strongest warrior in the Mahabharata, is another. Another is Parashurama, who precedes Rama as an avatar of Lord Vishnu, who wielded an axe to conquer the deviant Kshatriyas or adharmic and unrighteous kings.

Modern Hindu Yogis were not all emaciated ascetics and many developed great physical strength. Even the forms of Hindu deities like Shiva are not portrayed weak in form or stature, but as physically strong. In addition, the typical Himalayan Hindu Sadhu lives in a cold mountain climate, with little food and clothing, developing an ability to adjust to the elements, relying on physical strength and endurance.

[box_light]Gymnastics of India and the Gypsies[/box_light]

India has had a long tradition of gymnastics as well. This is best revealed by the circuses in India, which remain popular today, and have a great antiquity.

The gypsies, who originated in India, brought these gymnastic traditions to the Europe, along with their circuses.

There were whole castes or communities who kept up such traditions of physical prowess and dexterity and are still found in India today.There were entire classes of such circuses and entertainers in ancient texts called  Sutas and Magadhas, mentioned as early as the Manu Smriti, the main ancient Hindu law code.

[box_light]Indian Dance[/box_light]

India has many traditions of classical dance like Kathak, Bharat Natyam, Odissi, and Kathakali. Each region of India has its own type of dance. These require strength and include gymnastic movements of various types. Asanas are used by Indian dancers to gain great flexibility, which is an old tradition.

Shiva who is the Lord of Dance is also the Lord of Yoga and the Lord of Asana in Hindu thought. The 108 dance poses of Lord Shiva include many movements and vinyasas. The cross over between classical Indian dance and Yoga is quite extensive historically and extends to the present day in which dancers practice various asanas to help gain greater flexibility.

[box_light]Older Vedic Origins        [/box_light]  

We find ancient Indus or Harappan seals with figures in various Yoga postures, sitting and stretching. The Vedas themselves reflect traditions of martial art and dance. Many Vedic deities have warrior characteristics and are portrayed as possessing great strength and energy including Indra, Agni and Soma. Indra and Rudra among the Vedic deities are also referred to as dancers. Rudra, who is later connected with Lord Shiva, is also a famous archer in Vedic texts, bringing in the Dhanur Veda connection.

The Mahabharata, India’s great epic, abounds with stories of great warriors and their magical powers, combining martial arts like archery with yogic tools like mantra and meditation, like the case of Arjuna, Krishna’s companion. The same is true of the Ramayana, the most famous epic of South Asia.

Rama performs a series of mantras to the Sun God to enable him to defeat Ravana in battle. Hanuman was well known for his yogic and martial prowess. We can therefore speak of a long history of ‘martial Yoga traditions’, which have included a variety of active exercise traditions as well.

[box_light]Conclusion[/box_light]

Callisthenic traditions tend to be alike worldwide because they are working with the same human body and its normal range of movements. Similarities in such approaches between India and the West does not prove that India had no exercise traditions before the modern period. It is part of the prejudice that portrays Indians as physically weak and the Europeans as physically strong.

This is not to say that there was no borrowing of exercise methods between different cultures, but that similar practices had existed in India, just as in other Asian countries like China. Modern Yoga in the West does include influences from western movement, exercise, massage and body work practices.

But this does not mean that there was no similar exercise approaches in India going back for many centuries, or that anything of this type that one may see in recent India must have recent western origins and cannot be India based.

Asanas have been used as part of exercise traditions in India, just as they have by part of meditation or Yoga Sadhana traditions. This is a different application of asana, however. We must discriminate between these two different usages, rather than think that one excludes the other. It would be good if there were more research on the exercise, martial arts, gymnastic and dance traditions of India and the place of asana within these. No doubt much is yet hidden, particularly how asana can be applied with more active forms of exercise approaches.

This means that the active type of Yoga commonly practiced in the West today does have antecedents in India, but that it was not necessarily called Yoga, a term used more specifically for meditation practices.

It was part of Indian martial arts, dance, exercise and gymnastic traditions, which had their own spheres of application that included areas of fitness not ordinarily covered by Yoga. These exercise approaches did extend to India’s Yogi, monastic and sadhu traditions and communities, however, and could be connected to deeper meditation practices. They were also part of India’s Kshatriya or warrior class traditions that included using various weapons.

Asana has an important place in exercise traditions as well as in spiritual traditions like classical Yoga, and there is a good deal of overlap between the two.

Yet we should discriminate between these two levels of its usage. Classical Yoga was not a fitness system, but asana was also used as part of other Indian fitness systems, particularly martial arts, even when the rest of Yoga was not brought in along with.

Hatha Yoga crosses over both these practices, having a connection to martial arts as well, but primarily uses asana mainly to prepare the body for meditation.

 

 

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Categories
Martial Arts Origins

Vajra Mushti : Style of the Thunderbolt Fist

[box_light]Vajra Mushti (Sanskrit vajramuṣṭi वज्रमुश्टि) is a Sanskrit bahuvrihi compound translating to “one who is grasping a thunderbolt” or “one whose clenched fist is like a diamond”. It is a name of Indra mentioned in the Ramayana epic[/box_light]

 

Prior to his training in Brazil in the late 80’s, author and Brazilian Jiu Jitsu Black Belt, John Will, travelled to and trained in some of the most exotic places in Asia and the sub-continent.It was during those travels, that he sought out and trained with the notorious Jyesthimalla clan in the desert state of Gujarat in India.

 

Vajramushti Indian Vale TudoThe beginning of the no-rules Vajramushti match – complete with ivory-carved knuckledusters worn on the right hand of each combatant.

 

Training

The Jyesthimallas are the keepers of this ancient and formidable art; an art in which a knuckleduster is tied onto the wrestlers right hand and used in ways that would make the hardest UFC veteran, wince in disbelief. This art form is by no means, a modern day adaption of the wrestling and striking arts; it has a history, a lineage and traditions that take us back to the middle ages and possibly beyond.

 

The 'Guard' in old IndiaVajramushti wrestling techniques included working from the bottom position – in recent times, Brazilian Jiu Jitsu has brought similar strategies into mainstream focus.


 

The Mallapurana

Indian culture has produced a plethora of Puranas, (ancient texts), ranging from writings on ancient ayurvedic medicine, classical architecture, from warfare to lovemaking – and these collections of ancient wisdom have been written, re-written and handed down from generation to generation till modern day.

One such Purana, the Mallapurana is kept at the Oriental research Institute in Poona, India. It is written in the Devangari script and dates back to the year 1731 A.D. It describes many of the practises and traditions of the Vajramushti wrestlers in particular; some of which will be described in this article. It also mentions the Jyesthimalla’s or Jyesthi clan of fighters, who still carried on the practice of this art into recent times. The term Jyesthi translates as ‘the best’ and comes from the word Jyestha meaning most prominent or seniormost. The Jyesthimallas still inhabit the Gujarat region of India till this day – two renowned Jyesthimalla’s were Shri Sitaram and Laxminarayana Sagar, both pictured in this article.

This ancient Mallapurana text contains eighteen chapters, describing everything from the diet, training practices and stages of the fight in detail. From the syntax and spelling of certain words contained therein, there is evidence enough to suggest that it was copied in the 1700’s from another, even older source that may have dated back to even centuries earlier.

The word Mallapurana is a term derived from two words; Malla – meaning wrestler or fighter and Purana – denoting ‘ancient or old story’. Hence, Mallapurana, refers to the ancient works denoting the practices of fighters or wrestlers.

 

Omo Plata in Indian NHBThe victor has won the match by locking up his opponents weapon arm – note that the lock applied in this case is almost identical to the ‘Omoplata’ of modern day brazilian Jiu Jitsu.

The Training

 

The Mallapurana describes the various types of exercises the wrestlers would undertake to condition themselves for the fight. Among these are:

  • The Rangasrama – refers to the actual wrestling and wrestling techniques. These include all manner of grappling techniques, such as takedowns, fighting from the bottom, fighting from the top, and striking techniques.
  • The Sthambhasrama – the set of exercises performed on a standing upright pole called a Sthamba. There are many kinds of Sthamba, although the most common is an upright pole, some eight to ten inches in diameter, planted into the ground. The wrestler performs various complex callisthenics on it to develop arm, leg and upper-body strength and stamina.
  • The Gonitaka – this refers to the training done with a large stone ring. This weight is lifted and swung in various ways, even worn around the neck to develop neck, back and leg strength.
  • The Pramada – is the set of exercises performed with the use of the Indian clubs – the Gada. These tools are still used by many Indian wrestling Akhada (wrestling schools) today.
  • The Kundakavartana – refers to the callisthenics performed without the use of equipment; tumbling, various styles of push-ups, squats, etc that are used to develop overall strength and stamina.
  • The Uhapohasrama – refers to the discussion of tactics and strategies and is considered an important part of the fighters training regime.

The training of boys did not begin till they were about ten or twelve years of age. Initially, they were taught just the callisthenics and exercises to develop both strength and stamina. Much importance was placed on Baithakas, or squats and Dandes, or Indian pushups.

Once the student has developed sufficient strength, flexibility and stamina, he is introduced to the Mallasthamba or wrestlers pole, where the power to grip, with both arms and legs is developed to a high degree. There are many ways in which the wrestler mounts, utilizes and dismounts this free-standing pillar. Alongside these main methods, practices such as swimming and running were also used to further prepare the fighter to train in actual wrestling techniques and eventually, competition.

The wrestling or fighting training was done in the Akhada, usually a circular or square area of some thirty feet across, filled with soft soil. The earth in the Akhada is kept soft by constant tilling and by the addition of various substances, such as ochre, buttermilk and oil. Water is usually sprinkled over the training area, about every third day.

 

Indian WeaponsHere are some examples of the various Vajramushti – the two smaller weapons are used for the sporting aspect, whilst the larger, complete with spiked ends, were used in warfare.


 

The Vajramushti

In this fierce style of wrestling, the combatants wear the Ayudha or Vajramusti on their right hand. This weapon, commonly known today as the knuckleduster, is usually made out of buffalo horn or ivory. It has several small holes along it’s length, so that it may be tied onto the hand with thread, so as not to become dislodged during the fight.

A weapon similar to the Vajramushti, was also used in the ancient Greek and Roman world. It was used by boxers and Pancrationists, and was called the Cestus. It was a ring, usually made of bronze, worn around the knuckles, to add power to a blow. Many variations of this weapon have been described in both ancient Greek and Indian literature.The Vajramushti’s that were used in warfare had sharp spikes or blades extending from each end.

In training, the Vajramushti wrestlers are taught many ways to lock-up and immobilize the arm that holds the Vajramushti. These locks are applied with the arms, or legs and sometimes a combination of both. Various methods of striking and defending are also part of the mainstream training regimen. Takedowns, knees and elbows are also employed – although striking with the weapon to any target below the chest is considered an illegal technique.

 

John will with Indian WrestlerThe author in the mid 1980’s,alongside renowned Jyesthimalla wrestler, Shri Sitaram, wearing the Vajramushti.


 

The Vajramushti Match

On the day of the match, the combatants heads are shaved clean, except for a small tuft of hair on the crown of the head. Several Neem leaves are tied to this tuft of hair as a good luck omen. The wrestlers body is then rubbed down with red ochre, which is supposedly mean’t to keep the body cool during the fight.

Before leaving their family Akhada for the match, both fighters pray to their family Goddess, Limbaja. For this worship, a square altar is temporarly constructed in the middle of the wrestling pit, upon which a branch of the Neem tree is planted. To the east of this altar, a small platform is placed, upon which, the weapons of the wrestlers are placed.

After prayers and rituals are completed, the fighter is given the Vajramushti, which is tied to his right hand. Upon leaving their family’s place of training, the wrestlers make their way to the public areana, where they enter in a zig- zagging, jumping fashion.

The object of the match was to bring the other fighter to the point of submission; either by blows or a locking up of the Vajramushti-wielding arm. It is a limited-rules engagement, where knees, kicks and strikes are all legal techniques to be used in conjunction with grappling techniques .

Both fighters receive payment after the match, with the winner receiving double the amount of his defeated opponent. If the match was a draw, and neither fighter was submitted, then the prize was shared.

 

John Will with a Vajramushti wrestlerThe author with another Vajramushti wrestler, just prior to a training session in a renowned Jyesthimalla Akhada.


 

The Jyethimallas

The Jyesthimalla’s are now found in the Indian states of Gujarat, Mysore, Hyderabad and Rajasthan. In Baroda, the capital of Gujarat, several of the better known Jyesthimalla’s have kept training Akhada’s right up to present day. The Jyesthi’s are a sub-caste of the Modha Brahmins, and as such worship the Indian deity, Krishna.

It is interesting to note that the Jyesthimalla’s have been referred to in ancient literature, as far back as the 12th and 13th centuries. They have always had the distinction of being Ayudhajivi Brahmanas, that is Brahmins (the priest caste) living on arms.

The Jyesthi’s living in the 16th century were renowned athletes, and thought of as being synonomous with fighting. In fact, to this day, there is an expression in the state of Gujarat, ‘the Jyesthimallas are fighting’, and it is used to describe any serious duel between two combatants.

The Jyesthi’s have had a long tradition of working as bodyguards to marriage parties, and have been patronised by kings, princes and rulers for many centuries.

In the early 19th century, the Jyesthimallas were sponsored by the Gaekwads, and so, many were invited to Baroda from Dalmal and Hyderabad. Those that came from the Hyderabad continued to maintain their family’s fighting tradition right up until modern day; but sadly, by the late 1980’s there were only several surviving practitioners of this ancient art still living in Baroda. Even then, it was an art on the verge of extinction.

 

Indian Wrestling TextThe 1st page of the Mallapurana text preserved at the Oriental Research Institute in Poona.


 

Conclusion:

 

In this the 21st century, we see ourselves at the very pinnacle of evolution in as far as the combative arts go. And this may well be the case – due not to the effort of any single individual, but rather to the advent of the information explosion. We simply have more information at our fingertips today, than we have ever had in the history of mankind. Via the internet and cable television, any 15 year old can keep abreast of what is happening at any given moment. The magazine racks are crammed with publications to cater for every taste. Martial arts schools flourish on every corner.

But it has not always been this way. To put things in context; only twenty years ago, nobody outside of Brazil had heard of Brazilian Jiu Jitsu or Vale Tudo. Forty years ago, the term ‘Kickboxing’ hadn’t even been coined yet. Sixty years ago, no-one had ever heard the words ‘Karate’ or ‘Kung Fu’ outside of the Orient. In other words, our history of professional mixed martial arts is a very short one indeed; some would say, even non-existent.

It is worth the effort, at least in my opinion, to peer back into time, and examine arts such as those practised by the Vajramushti fighters, and marvel at the sheer wonder and history of it all. Over centuries, such arts were developed, who knows to what amazing degree; for no video cameras existed and no cable television networks were there to broadcast the struggles of these time-forgotten athletes.

It takes several decades, and the work of many, to develop an art to the point where it’s level of effectiveness outweighs it’s theoretical musings – but sadly, with the passing of only one generation it can all be forgotten as if it had never existed at all. The world is growing smaller; history and legends fade by the minute – but if we pay attention and keep our hearts open, much can still be preserved.

– John B Will

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