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Historical Figures

Mirabai (1540 – 1597)

There are few Hindus who will not have heard of Mirabai, the Rajput princess whose devotional compositions have provided a voice to the spiritual yearning of millions, and have a distinct, even a feminist, emphasis to them. Many stories exist about Mira, and it is difficult to produce a factual account of her life, although she lives perpetually through her songs, famous throughout India. The following is a shortened account about popular folk-lore about Mirabai:

Born in Rajisthan a land of warriors and sages, sadhus and kings, but also instability and sorrow, Mirabai showed great devotion for Lord Krishna in her childhood years. One day, a holy man came to her family’s palace and was carrying a small image of Krishna. Knowing that Mirabai would appreciate it, her mother brings her the little statue of Krishna. As the wandering sage left the palace he took his image of Krishna with him. Mirabai was very upset – in fact for days she lost her appetite and was very sad. But after a few days the sadhu returned. The night before, he explained, Krishna had appeared to him in a dream, telling him to return the image to Mira!

Mira grew up to be a beautiful young lady, and was duly married to the warrior Prince Bhoj, and went to live at his palace. However, despite being a devoted and dutiful wife, devotion to Lord Krishna was always foremost on her mind, which annoyed the family of her husband. Uda, her sister in law was most annoyed at Mira’s ways. They tried to stop her from visiting the temple. Prince Bhoj came to accept his wife’s nature, and thought of her as a great devotee of the Lord. He built her a small Krishna temple within the palace. However, for company with other devotees, Mira still sought to go to the village temple. She became acquainted with the great saint Ravidas, who was a humble shoemaker by profession, and learnt much about aspects of religion that she did not know about through him. She considered Ravidas her spiritual preceptor (Guru). Although her in-laws were becoming enraged with her behaviour, several of them could see their was something very special about her. Ravidas is turn was very impressed and moved by the intensity of her devotion to Krishna. He brought her a sitar with his own meager resources, which she used to compose and play soul stirring devotional songs to all who would listen. Through her songs Mirabai’s fame grew exceedingly, spreading far and wide throughout India. Even the Moghul Emporer Akbar (who was tolerant unlike other fanatical Moghul rulers, even renouncing Islam) came to visit her, and was so moved by her songs that he gave her a precious necklace.

Meanwhile, Prince Bhoj, Mirabai’s husband was killed in battle, against the predatory Moghuls. Bhoj’s cousin seizes the throne, who was one member of the family who had harboured dislike for Mirabai. Finding Akbar’s necklace, he accused Mirabai of being a traitor. He confined her to her room, and ordered her precious image of Krishna to be thrown into the river. She still had her devotion to Krishna, but was distraught at not being able to be amongst her fellow devotees and resented being locked in a confined space. She is believed to have write to Tulsidas, who advised her to attempt to leave, which Mirabai did so. Mira’s sister-in-law, Uda had grown fond of Mira over time and was very saddened by Mira’s departure.

Mira roamed India in devotion to her beloved Lord Krishna. She could see Krishna everywhere and in everything, and her songs describe her rapture in this vision. She grew very famous and loved. This enraged the king, the cousin of Mira’s husband Bhoj’s. He was determined now that Mira should die. Many attempts were subsequently made on Mira’s life, none of which bore fruit, due to her unfathomable love and trust in Krishna.

 

Selections from Mira bai’s works:

Priceless Gift (pâyo jî)

I have found, yes, I have found the wealth of the Divine Name’s gem.
My true guru gave me a priceless thing. With his grace, I accepted it.
I found the capital of my several births; I have lost the whole rest of the world.
No one can spend it, no one can steal it. Day by day it increases one and a quarter times.
On the boat of truth, the boatman was my true guru. I came across the ocean of existence.
Mira’s Lord is the Mountain-Holder, the suave lover, of whom I merrily, merrily sing.

I Will Dance (citanandana âge nâcûngî)

I will dance before the Consciousness-Charmer.
Having danced and danced, I will please my enjoyer. I will feel my lover.
I will tie on the ankle bells of love and affection. I will wear the dancing-garment of His Face.
Worldly modesty, family honor—I will not care for either of these.
I will go and lie in the bed of my beloved. I, Mira, will dye myself in Hari’s color.

Oh Oh I’m Love-Crazy (he rî maim to prema dîvânî)

Oh oh! I’m love-crazy. No one knows my pain.
My bed is over the gallows. How could I sleep?
My lover’s bed is in heaven’s mandala. How could I get to him?
The one who is wounded knows what a wound means, what it means to be burned.
The jeweler knows what it means to be a jeweler, what it means to have a jewel.
Afflicted by pain, I wander from forest to forest. Can’t get a doctor.
O Lord, Mira’s torment will be wiped out when the doctor is the Dark Lover.

Torn in Shreds (mere to giridhara gupâla)

Mine is Gopal, the Mountain-Holder; there is no one else.
On his head he wears the peacock-crown: He alone is my husband.
Father, mother, brother, relative: I have none to call my own.
I’ve forsaken both God, and the family’s honor: what should I do?
I’ve sat near the holy ones, and I’ve lost shame before the people.
I’ve torn my scarf into shreds; I’m all wrapped up in a blanket.
I took off my finery of pearls and coral, and strung a garland of wildwood flowers.
With my tears, I watered the creeper of love that I planted;
Now the creeper has grown spread all over, and borne the fruit of bliss.
The churner of the milk churned with great love.
When I took out the butter, no need to drink any buttermilk.
I came for the sake of love-devotion; seeing the world, I wept.
Mira is the maidservant of the Mountain-Holder: now with love He takes me across to the further shore.

The Divine Name (râma nâma rasa pîjai)

Drink the nectar of the Divine Name (Rama), O human! Drink the nectar of the Divine Name!
Leave the bad company, always sit among righteous company. Hearken to the mention of God (for your own sake).
Concupiscence, anger, pride, greed, attachment: wash these out of your consciousness.
Mira’s Lord is the Mountain-Holder, the suave lover. Soak yourself in the dye of His color.

Holi Raining Colors of Bhakti (sîla santoSha kî kesara gholî)

The saffron of virtue and contentment
Is dissolved in the water-gun of love and affection.
Pink and red clouds of emotion are flying about,
Limitless colors raining down.
All the covers of the earthen vessel of my body are wide open;
I have thrown away all shame before the world.
Mira’s Lord is the Mountain-Holder, the suave lover.
I sacrifice myself in devotion to His lotus feet.

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Historical Figures

Sant Eknath

SANT EKNATH is one of the great rishis of Maharshtra. Starting from the life of Jnaneshwar (1275-1298), whose treatise on the Bhagavad Gita sprang new life into the religious life of the land, Maharashtra was blessed with a stream of great religious figures, who sustained the faith of the people in the religion of the land through many hardships. The religious renaissance eventually transformed the society completely, culminating in Independence from Islamic rule for most of India.

The life of Eknath acted like a bridge between his predecessors Jnaneshwar and Naamdev and his successors Tukaram and Ramdas His teachings of philosophy and practice is a synthesis of the quest for the eternal and transcendent while living within the imminent. This great saint of Maharashtra was born sometime around 1530 AD in a Brahmin family which had brought forth great teachers in the past. Eknath’s father, Suryanarayan, and mother, Rukmini died shortly after his birth, hence Eknath was brought up by his grandparents, Chakrapani and Saraswatibai. Throughout his childhood Eknath devoted his time significantly to devotional practices.

When about twelve years old, Eknath heard about a man named Janardan Swami. This great scholar lived in Devgiri renamed as Daulatabad by the Muslim rulers of the time. Eager to become his disciple, Eknath trudged all the way to Devgiri. Janardaswamy was amazed by this extra-ordinarily gifted boy and readily accepted him as his disciple. He taught Eknath Vedanta, Nyaya, Meemansa, Yoga etc. (i.e. a broad based education of Hindu dharma) and most importantly, Sant Jnaneshwar’s works.

Janardan Swami was a devotee of Lord Dattatreya, the son of Atrimuni and his wife Anasuya. Eknath soon achieved self-realisation through his dedicated practice. The Guru then asked Eknath to proceed on pilgrimage. He himself accompanied Eknath upto Nasik-Tryambakeshwar. Here, Eknath wrote his famous treatise on Chatushloki Bhagavat. Which was a treatise on the application of four sacred shlokas of the holy “Bhagavat.” Eknath’s work consisted of 1036 specially metered verses known as “ovee”s. After completing his pilgrimage of various holy places of west and north India, Eknath returned to Paithan where he was born. His grandparents were extremely delighted to see him again and implored him to marry. Eknath married a lady named Girija. The couple were truly made for each other and established the ideal examples of ethical living. In time, the couple was blessed with two daughters, Godavari and Ganga and a son Hari.

During the intervening period of about 250 years between Dnyaneshwar and Eknath, various Islamic invaders ravaged Maharashtra. Defeats after defeats had completely demoralised people. The great legacy of Jnaneshwar was nearly forgotten. Eknath devoted himself to change this situation. His first task was to locate the “samadhi” of Jnaneshwar and trace the undistorted version of “Jnaneshwari” (Jnaneshwar’s treatise of the Bhagavad Gita). In fact, without Eknath’s all-out efforts, the legacy of Jnaneshwar could well have been lost to the succeeding generations. He also devoted him self in fighting against untouchability and other ills, which were rotting the society. His inspiration to fight untouchability were the teachings of Sri Krishna. Eknath’s teachings may be summarized as “Vichar, Uchchar and Achar” – i.e., purity of thought, speech and practices. Exemplifying the way of ethical and spiritual living, he practised what he preached. His works, verses and preaching kindled hope among the people at a time when they needed it most. At last following the example of the great Jnaneshwar, he left for his heavenly abode by voluntarily laying down his life in the sacred Godavari on the Krishna Shasthi day of Phalguna in the year Shaka 1521 (1599AD).

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Fountainhead of Yoga

History of Asana and Exercise in India

[box_light]Asana is the aspect of Yoga least detailed in older Vedic and Yogic texts and is the aspect of classical Yoga given least importance overall. Sometimes little more about asana is said in the older texts than the need to sit straight ( Bhagavad Gita and Upanishads), or to maintain a comfortable pose (Yoga Sutras).[/box_light]

This has led some people to think that the active asana approaches and movements, such as practiced by many modern Yoga groups, were not part of the older Yoga traditions or were not known in India. It has also gotten some to hold that active or strong exercise methods, like calisthenics type movements, only entered India recently through Europe and were previously unknown, with Yoga asanas being the main form of exercise taught in India. This plays into cultural stereotypes that Indians are physically weak and the Europeans physically strong – a view that arguably borders on racism.

To adequately approach this issue, we must first examine the greater exercise traditions of India, including Vedic martial arts, and not limit ourselves to yogic texts. We must also understand how Yoga asana and exercise in general relate, their similarities and differences, and their respective places in Indian culture.

Yoga was never primarily an exercise tradition and we cannot look to yogic texts for understanding the exercise traditions of India. Dhanur Veda or the Vedic martial arts is the main basis and oldest form of exercise tradition of India and one that has continued to develop over time.

Yoga and Dhanur Veda overlap to some degree, but more active forms of exercise connect primarily with Dhanur Veda and only secondarily with Yoga.

[box_light]Asana and Exercise Traditions: Related but Different[/box_light]

There has been a tendency to look at asana or yoga postures as the main exercise system practiced historically in India, with any more active exercise approach like calisthenics and weight lifting, being perhaps a recent borrowing from the West, or even something not particularly Indian, with Indians being more mental than physical types. This plays into stereotypes of India as not having strong martial or military traditions, some arising from the recent emphasis on Gandhi ahimsa in the country. Several scholars of modern Yoga have proposed something of this kind. A deeper examination, however, finds this view to be inaccurate or incomplete.

First of all, Yoga asana, as part of classical Yoga traditions like the Yoga Sutras, was never meant as a merely an exercise or fitness system.

Asana in Sanskrit means a chair or a seat, and in terms of bodily positions implies a seated pose, and by extension any pose assumed or held for an extended period of time.Asana in classical Yoga was not meant as simply a type of physical exercise, which is called vyayama in Sanskrit, but as part of Yoga practice, called Sadhana, a spiritual discipline resting upon the ability to sit or be still for long periods of time for the practice of meditation. Traditional Yoga asana was not meant as a workout or fitness drill. However, we must recognize that other exercise traditions did exist in India, besides Yoga asanas, which were more active in nature, and sometimes did use asanas and vinyasas along with other stronger exercise practices.

Yoga asana could be used as part of other Indian exercise approaches, sometimes serving a role like preliminary warm ups or stretches. In these cases, case such asana practice was not regarded as Yoga, which means a spiritual path in Sanskrit, but as a means of bodily health and strength. In other words, asana as exercise did exist in ancient India but as a different orientation from asana as classical Yoga, which was a tool to still the body for meditation, not meant as a physical workout.The use of asana in exercise approaches should be discriminated from its role in meditation approaches, though some natural overlap exists.

India as a vast subcontinent and great ancient civilization has its own ancient and diverse traditions of exercise, martial arts, gymnastics and dance that cover the full range of exercise practices, including every sort of callisthenics. India did not require the Europeans in order to bring the idea of physical fitness or exercise into the region. The same situation existed in China and the rest of Asia that also had slower or more internalizing forms of exercise like Yoga or Tai Chi, which did not mean that they did not also have stronger exercise approaches as well. India has its own long traditions of martial arts.

[box_light]Martial Arts and Indian Exercise Traditions[/box_light]

India has a great heritage of its Kshatriya, its martial, military, aristocratic or princely class, just as most of the world had until recent times. It is among these traditional martial arts that we can find the most diverse and extensive traditions of exercise. Even the Vedas speak of the unity of Brahmin and Kshatriya or spiritual and warrior traditions and the need to honor both.[ Hindu warrior traditions continued through history and developed along with changes of warfare through the centuries.

The Vedas have a special tradition of martial arts called Dhanur Veda, which is one of the four Upavedas or secondary Vedas.  Such Vedic martial arts like Kalari remain popular in South India to the present day, though many others have probably been lost in the course of time. Dhanur literally means a bow, so archery was one of these martial arts. Yet India has had a long tradition of sword fighting as another martial art.

The most famous ancient guru of the martial arts or Dhanur Veda, who is found in the Ramayana as well teaching the martial arts to Rama and Lakshman, is the rishi Vishvamitra, a famous Rajarshi or royal sage, combining both Kshatriya and Brahmin lines. Vishvamitra is the seer of the third of the ten books of the Rigveda and of the famous Gayatri mantra, the most widely used Vedic mantras for all the Hindus.

Hindu history and stories like the Puranas laud many ancient warriors and kings, along with their great victories, a number as chakravartins, meaning world-conquerors or universal rulers. The Vedas themselves contains many verses in praise of ancient kings and their martial exploits, like Trasadasyu, with some Vedic hymns composed by royal sages like Sudas or Mandhata. Great warriors like Arjuna or Rama had special weapons or astras created through the use of mantra and meditation, and harnessing the forces of nature. This martial aspect was always there with the different Hindu, Buddhist and Jain dynasties in the region.

Martial arts are well known in Buddhist monastic traditions of China and Japan. These are attributed an Indian origin to Bodhidharma, who came from the famous city of Kanchipuram, not far from modern Chennai. Bodhidharma was said to have brought both Zen and Martial arts to China.

Hindu monastic and sadhu traditions are well known for their martial lines, like the famous Naga sadhus who wield tridents or Trishulas to the present day, leading the marches of monks for the great Kumbha Mela gatherings. A Hindu monastic order today is called an akhada, which also means a gymnasium (much like the Greek Academy). The monastic orders have asanas, exercises and martial arts, in part to keep the monks active and physically fit.

Many Hindu monastic orders over the past thousand years were formed to help protect Hindu society from the attacks of Islamic armies and had such martial sides.

The Indian warrior class also used mantras and called upon deities for success in battle, like the famous battle cry “Jai Sri Ram”, that is still the war cry of the Indian army of the state of Uttar Pradesh.

The Goddess Durga was said to have given the royal sword to the kings, including such figures as Sivaji of Maharashtra.The colonial British army owed its prowess to its  Gurkha soldiers from Nepal. Gurkhas mainly worship the Goddesses Kali and Durga, Hindu martial Goddesses, and claim connection to Gorakhnath, the main Nath Yogi behind Siddha Yoga and Hatha Yoga traditions. Their war cry is “Jai Ma Kali, Here Come the Gurukhas.” Hatha Yoga itself arose as part of a martial and monastic approach to Yoga. Hatha itself means force in Sanskrit.

[box_light]Weight Lifting, Weapon Lifting and Physical Development[/box_light]

Indian martial arts training involved the use of heavy weapons including swords and the mace (gada). Bhima, one of the five Pandavas and companions of Lord Krishna, was famous for his use of the mace and defeated Duryodhana in a mace fight. Hanuman also was famous for his mace. Such heavy weapon training served like weight lifting to build the muscles.

Even the use of the bow, particularly the long bow that we find in India depictions like that of the Ramayana, requires a lot of muscular strength in order to use. Rama’s story was that only he could string the bow of Lord Shiva as it was so difficult that no other warrior could do so.

All the other princes tried and failed. Rama gained Sita as a wife as his reward for stringing the bow. Rama was well known for his expertise at archery.

India has extensive traditions of wrestling. In fact Lord Krishna was regarded as a great wrestler and was thought to have defeated his enemy Kamsa in a wrestling match. Such wrestling traditions employed different exercise approaches than Yoga and much like wrestling from throughout the world.

India has a long tradition of depiction of athletes, warrior and muscle men, as does most of the cultures of the world. The great avatar and emperor Lord Rama is the forest of these, portrayed with his long bow and a strong physique. Hanuman, his monkey companion, is a kind of Indian superman, noted for his muscular strength and miraculous powers. Bhima, the strongest warrior in the Mahabharata, is another. Another is Parashurama, who precedes Rama as an avatar of Lord Vishnu, who wielded an axe to conquer the deviant Kshatriyas or adharmic and unrighteous kings.

Modern Hindu Yogis were not all emaciated ascetics and many developed great physical strength. Even the forms of Hindu deities like Shiva are not portrayed weak in form or stature, but as physically strong. In addition, the typical Himalayan Hindu Sadhu lives in a cold mountain climate, with little food and clothing, developing an ability to adjust to the elements, relying on physical strength and endurance.

[box_light]Gymnastics of India and the Gypsies[/box_light]

India has had a long tradition of gymnastics as well. This is best revealed by the circuses in India, which remain popular today, and have a great antiquity.

The gypsies, who originated in India, brought these gymnastic traditions to the Europe, along with their circuses.

There were whole castes or communities who kept up such traditions of physical prowess and dexterity and are still found in India today.There were entire classes of such circuses and entertainers in ancient texts called  Sutas and Magadhas, mentioned as early as the Manu Smriti, the main ancient Hindu law code.

[box_light]Indian Dance[/box_light]

India has many traditions of classical dance like Kathak, Bharat Natyam, Odissi, and Kathakali. Each region of India has its own type of dance. These require strength and include gymnastic movements of various types. Asanas are used by Indian dancers to gain great flexibility, which is an old tradition.

Shiva who is the Lord of Dance is also the Lord of Yoga and the Lord of Asana in Hindu thought. The 108 dance poses of Lord Shiva include many movements and vinyasas. The cross over between classical Indian dance and Yoga is quite extensive historically and extends to the present day in which dancers practice various asanas to help gain greater flexibility.

[box_light]Older Vedic Origins        [/box_light]  

We find ancient Indus or Harappan seals with figures in various Yoga postures, sitting and stretching. The Vedas themselves reflect traditions of martial art and dance. Many Vedic deities have warrior characteristics and are portrayed as possessing great strength and energy including Indra, Agni and Soma. Indra and Rudra among the Vedic deities are also referred to as dancers. Rudra, who is later connected with Lord Shiva, is also a famous archer in Vedic texts, bringing in the Dhanur Veda connection.

The Mahabharata, India’s great epic, abounds with stories of great warriors and their magical powers, combining martial arts like archery with yogic tools like mantra and meditation, like the case of Arjuna, Krishna’s companion. The same is true of the Ramayana, the most famous epic of South Asia.

Rama performs a series of mantras to the Sun God to enable him to defeat Ravana in battle. Hanuman was well known for his yogic and martial prowess. We can therefore speak of a long history of ‘martial Yoga traditions’, which have included a variety of active exercise traditions as well.

[box_light]Conclusion[/box_light]

Callisthenic traditions tend to be alike worldwide because they are working with the same human body and its normal range of movements. Similarities in such approaches between India and the West does not prove that India had no exercise traditions before the modern period. It is part of the prejudice that portrays Indians as physically weak and the Europeans as physically strong.

This is not to say that there was no borrowing of exercise methods between different cultures, but that similar practices had existed in India, just as in other Asian countries like China. Modern Yoga in the West does include influences from western movement, exercise, massage and body work practices.

But this does not mean that there was no similar exercise approaches in India going back for many centuries, or that anything of this type that one may see in recent India must have recent western origins and cannot be India based.

Asanas have been used as part of exercise traditions in India, just as they have by part of meditation or Yoga Sadhana traditions. This is a different application of asana, however. We must discriminate between these two different usages, rather than think that one excludes the other. It would be good if there were more research on the exercise, martial arts, gymnastic and dance traditions of India and the place of asana within these. No doubt much is yet hidden, particularly how asana can be applied with more active forms of exercise approaches.

This means that the active type of Yoga commonly practiced in the West today does have antecedents in India, but that it was not necessarily called Yoga, a term used more specifically for meditation practices.

It was part of Indian martial arts, dance, exercise and gymnastic traditions, which had their own spheres of application that included areas of fitness not ordinarily covered by Yoga. These exercise approaches did extend to India’s Yogi, monastic and sadhu traditions and communities, however, and could be connected to deeper meditation practices. They were also part of India’s Kshatriya or warrior class traditions that included using various weapons.

Asana has an important place in exercise traditions as well as in spiritual traditions like classical Yoga, and there is a good deal of overlap between the two.

Yet we should discriminate between these two levels of its usage. Classical Yoga was not a fitness system, but asana was also used as part of other Indian fitness systems, particularly martial arts, even when the rest of Yoga was not brought in along with.

Hatha Yoga crosses over both these practices, having a connection to martial arts as well, but primarily uses asana mainly to prepare the body for meditation.

 

 

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Legendary Battles

Gokul 1757 : War of the Nagas ~ Shiva’s Sacred Warriors

 

Amongst the sacred points of pilgrimages of Hinduism one of the most popular regions centre around the fabled birthplace and playground of Sri Krishna known as the Braj Matsya region. This area centred around the south of Delhi is annually visiting today as in the past by thousands of the faithful often humbly treading the paths between Mathura, Vrindavan and Gokul.

However in 1757 the sacred soil of Gokul was streaming with blood. The invasion of the Afghan invader Ahmed Shah Abdali sent hordes of his soldiers pouring into the holy places. After a desperate resistance by the Hindu Jats under their prince Jawahar Singh and the death of 10,000 of his solders the city of Mathura was sacked and brutalised.

Amidst the wholesale destruction of temples and holy places thousands of women flung themselves into the Yamuna River to escape rape and slavery. Vrindavan faced a similar horror. He had detached Jahan Khan and Najib with 20,000 men, telling them,

[box_light]“Move into the boundaries of the accursed Jat, and in every town and district held by him slay and plunder. The city of Mathura is a holy place of the Hindus ;… let it be put entirely to the edge of the sword. Up to Agra leave not a single place standing”[/box_light]

Vrindavan, seven miles north of Mathura, could not escape, as its wealth was indicated by its many temples. Here another general massacre was practiced upon the inoffensive monks of the most pacific order of Vishnu’s worshippers, (c. 6 March.) As the same Muhammadan diarist records after a visit to Vrindavan,

[box_light]“Wherever you gazed you beheld heaps of slain ; you could only pick your way with difficulty, owing to the quantity of bodies lying about and the amount of blood spilt. At one place that we reached we saw about 200 dead children lying in a heap. Not one of the dead bodies had a head . . . The stench and effluvium in the air were such that it was painful to open your mouth or even to draw breath.”[/box_light]

The prime general of the Afghans, Sardar Khan ; launched an attack on Gokul. Here however stirred by the atrocities of the Afghans thousands of ash smeared warrior monks barred the way. The grim Naga sadhus armed with swords, matchlocks and cannons had called together their wandering bands to rise in defence of dharma.

In the mid seventeenth century the bands of sadhus and assorted holy men coalesced into larger groups often numbering more than 10,000 strong – they provided protection to the temples, the travel routes and even towns and rival armies. For many centuries the monks and disciples began to take up arms amidst the upheavals of northern India and during the fall of the Mughal Empire they emerged as a serious force to reckon with.

One of their notable leaders Rajendra Giri Gosain held such a reputation of bravery that his band of Nagas would contend with over ten times their numbers of enemies with utter abandon and fury. Later times saw some of the larger bands under Himmat Bahadur and Anupgir Gosain lead vast armies across the northern Indian plains

The famed Afghan cavalry launched itself against the Nagas to be met with a wild and reckless counter charge by the Nagas. The utter disregard for their own lives displayed by the Hindu holy men sent the initial Afghan attackers retreating in confusion and defeat. Reinforced some time later the Afghans returned to the attack and a bitter struggle ensued.

Both parties believed they fought for a higher power but the similarities ended there. The Afghans fought for loot, plunder and rape whilst the Naga Sadhus had already given up their worldly and material attachments and in a long tradition of warfare fought solely for dharma and faith. The Afghans fought with the reckless valour for which they were much wonted and the Nagas fought with a determination that spoke of their contempt of death.

The battle cry of ‘Har Har Mahadev’ and ‘Ya Ali’ rose above the groans and shrieks of the wounded and dying. The battle raged as dusk fell and the protagonists continued their fight stepping on the bodies of the slain until the writer observes grappling in a deathly embrace whilst slipping on the mounds of gore and blood flowing on the hallowed grounds. Still the Nagas did not give ground.

Enraged the Abdali threw further troops into the battle. His as yet undefeated soldiers who had marched victoriously from the borders of India to Central Asia were met with renewed charges and attacks from the Naga Sanyasis. They fought so desperately that the Afghans began to lose hope of victory and as their losses rapidly mounted in the failing light their leader Sardar Jahan Khan called a retreat and the Afghans fell back in defeat and humiliation  leaving many thousands of their brethren dead and wounded on the battlefield. The holy town of Gokul was saved but at an appalling cost in lives.

The Naga Sadhus saved the shrines of their faith and the thousands of refugees behind them. They exemplified the age old tradition of valour mixed with dharma – the concept of rising in arms each time they were required. They went on to fight bitter decade’s long struggles with the British expansion in India to be so famously celebrated in the late nineteenth century novel Ananda Math. Their exploits became the inspiration for the freedom fighters of the 20th Century and the living image of the warrior saints can be found in India today.

 

 

 

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Academic Negationism

Time for Aryan Invasion Theory to Invade the Dustbin of History

Crass racist theories which are both laughable and offensive are thankfully a thing of the past. Or are they? The Holocaust put the nail in the coffin that race theory could be anything other than murderous and beyond the pale. Yet apartheid was instituted in South Africa only 3 years later. Western democracies remained by and large on friendly terms with the apartheid regime until almost the very end. The irony was not lost on the anti-apartheid lobby which struggled long and hard against official racial discrimination in South Africa. Western democracies had fought Nazism. But Hitler’s New Order in Europe was a masterplan to have inferior Slavs segregated into native reservations where they would provide a ready source of labour for the master race of Aryans to exploit. While apartheid may not have actually had slaves or carried out an extermination program, the black homelands were established so that the white master race could exploit black labour on the cheap. It was this idea of a master race which had actually culminated in Nazism and caused global conflict.

South Africa was but the most glaring and long-lasting example of how colonialism put its stamp around the world. It was a time when not only was Europe the master but whites were recognised as the master race. Exterminating or severely depleting the indigenous peoples of Australasia and the Americas, in Africa and Asia they established themselves as rulers even if the demographic disaster was not as high. Nevertheless colonisation by white settlers was prevalent in many parts of Africa, as it was in Australasia and the Americas. Hence was born the idea of the Aryan race and Aryan Invasion Theory. It took many forms. Most notable was that Aryans had conquered India and imposed the caste system on the dark natives. But we also had the Hamitic invasion of Africa where a primeval lighter skinned race had brought the light of civilisation to the inferior dark-skinned ‘Negroes’. The stone structures of Zimbabwe built by the ancestors of the Mashona, were attributed to the Phoenicians. Ancient Egyptians were said to have been wholly white. Then there were the lost Israelites which turned up all over the place: from the Zulus, to Maoris and Native Americans. Even whites were not spared. Superior Anglo-Saxons were said to have cleansed Britain of its native Celts.

These various race theories were inevitably laden with incredible contradictions. Brown and black people could suddenly be categorised as ‘white’ if their ancient past was deemed too civilised. Even when the Nazis conquered Poland in order to enslave and deplete the native Slaves, Poles who agreed to be Germanised became part of the Volk. Blond haired Polish children were seen as especially important to the Aryan gene pool. Of course children taken in this way from their natural parents had to have all links severed with their Polish past. Hence orphanages were special targets of this racial policy. Because Poles were officially deemed as racially inferior the whole adoption and Aryanisation project was kept secret. It was also an incredibly sick joke in that many of this Slavic children had more Aryan feature’s than much of the ruling Nazi leadership. The only actual Aryan invasion to have taken place was therefore a racial fiasco where demographic warfare and enslavement went hand in hand with assimilating members of the inferior race into the Volk by virtue of hair and eye colour. All of this was done under a symbol used in many ancient cultures including that of India: the swastika.

I said the ‘only’ Aryan invasion to take place because while colonialist race theories such as the Hamitic invasion of Africa have been quietly discarded that of a primeval white race invading and conquering India lives on and is taught as mainstream. Any attempts to counter it with facts is denounced as itself racist. So here we have the incredible paradigm of denouncing as Nazi anyone who refutes the Aryan Invasion Theory and idea of an Aryan race. Can intellectual bankruptcy and stupidity go any further? The Aryan Invasion Theory of India is a toxic resin which unites both the old colonialist mentality which looks upon anything Hindu as obscurantist and irrational, with the spawn of Leftist dogma who take it upon themselves to define what is racism while simultaneously keeping quiet their dirty little secret of Marx himself supporting colonialism in India. In this poisonous vice like grip of suffocation any scholar exposing the idea of Aryan invasion and an Aryan race is labelled racist, Hindu extremist and Nazi, and the discussion is shut down by academia’s very own Gestapo.

However this should to detract the seeker of truth from pursuing a higher aim. It must be remembered at the time when the idea of ‘Aryans’ was manufactured racism was mainstream thinking. It was only a relentless struggle from the end of the nineteenth century which detoxed anthropology, biology, history and other disciplines from the stranglehold of racist thought. It took the Holocaust to reveal the full nightmare of what would happen if such ideas were to run rampant.

Nevertheless the struggle by no means ended with the discovery of mass killing of millions of decent innocent men, women and children in gas chambers such as those of Auschwitz, just because they were deemed to be of an inferior non-Aryan race. The post-1945 White Australia immigration policy explicitly stated that people of Aryan background should be given preference. Apartheid put stringent laws on preventing race mixing that would have had Hitler smiling in his grave. Even the Hamitic invasion theory did not fully die as the killing fields of Rwanda in 1959 and 1994 demonstrated in their full horror.

The horrific massacres between Hutu and Tutsi were a direct result of colonialist racial myth making. The idea of outside origin came to be used by the majority Hutu to massacre Tutsis, using the words “final solution” to make it obvious what the intentions were in both 1959 and 1994. The Hutu were labelled as the indigenous Bantu, truly African inhabitants, who were oppressed by the “Hamite” invaders known as Tutsi, who remained the unnatural foreign element.

Hence the Aryan Invasion Myth is not just a theoretic concern of ivory tower intellectuals who are inherently hostile to Hindu civilisation, culture and beliefs. It has manifested itself in caste conflict over scarce resources in India where quotas are imposed for those deemed to be non-Aryan natives. It has inspired a whole genre of anti-Hindu, anti-Semitic and racist literature from western-sponsored academics such as Kancha Iliaih of Osmania University and VT Rajashekar of Dalit Voice.

Most of all it has stunted India’s political and economic development through policies of excessive state interference, crushing of intellectual creativity and the emergence of an effective civil society via the psychological cul-de-sac which has been created. Just like the swastika to reclaim not just their sacred symbols but also their sacred past from the western academics and Indian Marxist allies who continue to use colonialist theories in order to interpret and impose a racist theory of Indian history. It is not just offensive. It is not even accurate. It therefore belongs in the loony bin of ideas along with the myth of Atlantis, inter-galactic beings carving UFO landing pads in the Atacama Desert, or alien lizards ruling the earth as illuminati.

 

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Gods of Science and Discovery

Takshashila: The world’s first known university

At least 2,800 years ago, circa 800BCE, there existed a giant University at Takshashila (often called Taxila), a town located in the north-western region of India (in today’s Pakistan). According to references in the Ramayana, King Bharata founded the town in the name of his son, Taksha.

The site initially began to develop as a loosely connected group of buildings where learned persons resided, worked and taught. Over the years, additional buildings were added; rulers made donations and more scholars migrated there. Gradually a large campus developed, which became a celebrated seat of learning in the ancient world.

  • Not only Indians but also students from as far as Babylonia, Greece, Syria, Arabia, Phoenicia and China came to study.
  • 68 different streams of knowledge were on the syllabus.
  • A wide range of subjects were taught by experienced masters: Vedas, Language, Grammar, Philosophy, Medicine, Surgery, Archery, Politics, Warfare, Astronomy, Astrology, Accounts, Commerce, Futurology, Documentation, Occult, Music, Dance, etc.
  • The minimum entrance age was 16 and there were 10,500 students.
  • The panel of masters included renowned names like Kautilya (the author of the “Arthashastra”), Panini (the codifier of Sanskrit into today’s form), Jivak (medicine) and Vishnu Sharma (author and compiler of the Panchtantra).

When Alexander’s armies came to the Punjab in the fourth century B.C., Takshashila had already developed a reputation as an important seat of learning. Thus on his return Alexander took many scholars from there with him to Greece.

Being near the north-west frontier of India, Takshashila had to face the brunt of attacks and invasions from the north and the west. Thus the Persians, Greeks, Parthians, Shakas and Kushanas laid their destructive marks on this institution. The final blow, however, came from the Huns (also the destroyers of the Roman Empire) who, A.D. c.450, razed the institution. When the Chinese traveller Huen T’sang (A.D. 603-64) visited Takshashila, the town had lost all its former grandeur and international character.

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Martial Arts Origins

Vajra Mushti : Style of the Thunderbolt Fist

[box_light]Vajra Mushti (Sanskrit vajramuṣṭi वज्रमुश्टि) is a Sanskrit bahuvrihi compound translating to “one who is grasping a thunderbolt” or “one whose clenched fist is like a diamond”. It is a name of Indra mentioned in the Ramayana epic[/box_light]

 

Prior to his training in Brazil in the late 80’s, author and Brazilian Jiu Jitsu Black Belt, John Will, travelled to and trained in some of the most exotic places in Asia and the sub-continent.It was during those travels, that he sought out and trained with the notorious Jyesthimalla clan in the desert state of Gujarat in India.

 

Vajramushti Indian Vale TudoThe beginning of the no-rules Vajramushti match – complete with ivory-carved knuckledusters worn on the right hand of each combatant.

 

Training

The Jyesthimallas are the keepers of this ancient and formidable art; an art in which a knuckleduster is tied onto the wrestlers right hand and used in ways that would make the hardest UFC veteran, wince in disbelief. This art form is by no means, a modern day adaption of the wrestling and striking arts; it has a history, a lineage and traditions that take us back to the middle ages and possibly beyond.

 

The 'Guard' in old IndiaVajramushti wrestling techniques included working from the bottom position – in recent times, Brazilian Jiu Jitsu has brought similar strategies into mainstream focus.


 

The Mallapurana

Indian culture has produced a plethora of Puranas, (ancient texts), ranging from writings on ancient ayurvedic medicine, classical architecture, from warfare to lovemaking – and these collections of ancient wisdom have been written, re-written and handed down from generation to generation till modern day.

One such Purana, the Mallapurana is kept at the Oriental research Institute in Poona, India. It is written in the Devangari script and dates back to the year 1731 A.D. It describes many of the practises and traditions of the Vajramushti wrestlers in particular; some of which will be described in this article. It also mentions the Jyesthimalla’s or Jyesthi clan of fighters, who still carried on the practice of this art into recent times. The term Jyesthi translates as ‘the best’ and comes from the word Jyestha meaning most prominent or seniormost. The Jyesthimallas still inhabit the Gujarat region of India till this day – two renowned Jyesthimalla’s were Shri Sitaram and Laxminarayana Sagar, both pictured in this article.

This ancient Mallapurana text contains eighteen chapters, describing everything from the diet, training practices and stages of the fight in detail. From the syntax and spelling of certain words contained therein, there is evidence enough to suggest that it was copied in the 1700’s from another, even older source that may have dated back to even centuries earlier.

The word Mallapurana is a term derived from two words; Malla – meaning wrestler or fighter and Purana – denoting ‘ancient or old story’. Hence, Mallapurana, refers to the ancient works denoting the practices of fighters or wrestlers.

 

Omo Plata in Indian NHBThe victor has won the match by locking up his opponents weapon arm – note that the lock applied in this case is almost identical to the ‘Omoplata’ of modern day brazilian Jiu Jitsu.

The Training

 

The Mallapurana describes the various types of exercises the wrestlers would undertake to condition themselves for the fight. Among these are:

  • The Rangasrama – refers to the actual wrestling and wrestling techniques. These include all manner of grappling techniques, such as takedowns, fighting from the bottom, fighting from the top, and striking techniques.
  • The Sthambhasrama – the set of exercises performed on a standing upright pole called a Sthamba. There are many kinds of Sthamba, although the most common is an upright pole, some eight to ten inches in diameter, planted into the ground. The wrestler performs various complex callisthenics on it to develop arm, leg and upper-body strength and stamina.
  • The Gonitaka – this refers to the training done with a large stone ring. This weight is lifted and swung in various ways, even worn around the neck to develop neck, back and leg strength.
  • The Pramada – is the set of exercises performed with the use of the Indian clubs – the Gada. These tools are still used by many Indian wrestling Akhada (wrestling schools) today.
  • The Kundakavartana – refers to the callisthenics performed without the use of equipment; tumbling, various styles of push-ups, squats, etc that are used to develop overall strength and stamina.
  • The Uhapohasrama – refers to the discussion of tactics and strategies and is considered an important part of the fighters training regime.

The training of boys did not begin till they were about ten or twelve years of age. Initially, they were taught just the callisthenics and exercises to develop both strength and stamina. Much importance was placed on Baithakas, or squats and Dandes, or Indian pushups.

Once the student has developed sufficient strength, flexibility and stamina, he is introduced to the Mallasthamba or wrestlers pole, where the power to grip, with both arms and legs is developed to a high degree. There are many ways in which the wrestler mounts, utilizes and dismounts this free-standing pillar. Alongside these main methods, practices such as swimming and running were also used to further prepare the fighter to train in actual wrestling techniques and eventually, competition.

The wrestling or fighting training was done in the Akhada, usually a circular or square area of some thirty feet across, filled with soft soil. The earth in the Akhada is kept soft by constant tilling and by the addition of various substances, such as ochre, buttermilk and oil. Water is usually sprinkled over the training area, about every third day.

 

Indian WeaponsHere are some examples of the various Vajramushti – the two smaller weapons are used for the sporting aspect, whilst the larger, complete with spiked ends, were used in warfare.


 

The Vajramushti

In this fierce style of wrestling, the combatants wear the Ayudha or Vajramusti on their right hand. This weapon, commonly known today as the knuckleduster, is usually made out of buffalo horn or ivory. It has several small holes along it’s length, so that it may be tied onto the hand with thread, so as not to become dislodged during the fight.

A weapon similar to the Vajramushti, was also used in the ancient Greek and Roman world. It was used by boxers and Pancrationists, and was called the Cestus. It was a ring, usually made of bronze, worn around the knuckles, to add power to a blow. Many variations of this weapon have been described in both ancient Greek and Indian literature.The Vajramushti’s that were used in warfare had sharp spikes or blades extending from each end.

In training, the Vajramushti wrestlers are taught many ways to lock-up and immobilize the arm that holds the Vajramushti. These locks are applied with the arms, or legs and sometimes a combination of both. Various methods of striking and defending are also part of the mainstream training regimen. Takedowns, knees and elbows are also employed – although striking with the weapon to any target below the chest is considered an illegal technique.

 

John will with Indian WrestlerThe author in the mid 1980’s,alongside renowned Jyesthimalla wrestler, Shri Sitaram, wearing the Vajramushti.


 

The Vajramushti Match

On the day of the match, the combatants heads are shaved clean, except for a small tuft of hair on the crown of the head. Several Neem leaves are tied to this tuft of hair as a good luck omen. The wrestlers body is then rubbed down with red ochre, which is supposedly mean’t to keep the body cool during the fight.

Before leaving their family Akhada for the match, both fighters pray to their family Goddess, Limbaja. For this worship, a square altar is temporarly constructed in the middle of the wrestling pit, upon which a branch of the Neem tree is planted. To the east of this altar, a small platform is placed, upon which, the weapons of the wrestlers are placed.

After prayers and rituals are completed, the fighter is given the Vajramushti, which is tied to his right hand. Upon leaving their family’s place of training, the wrestlers make their way to the public areana, where they enter in a zig- zagging, jumping fashion.

The object of the match was to bring the other fighter to the point of submission; either by blows or a locking up of the Vajramushti-wielding arm. It is a limited-rules engagement, where knees, kicks and strikes are all legal techniques to be used in conjunction with grappling techniques .

Both fighters receive payment after the match, with the winner receiving double the amount of his defeated opponent. If the match was a draw, and neither fighter was submitted, then the prize was shared.

 

John Will with a Vajramushti wrestlerThe author with another Vajramushti wrestler, just prior to a training session in a renowned Jyesthimalla Akhada.


 

The Jyethimallas

The Jyesthimalla’s are now found in the Indian states of Gujarat, Mysore, Hyderabad and Rajasthan. In Baroda, the capital of Gujarat, several of the better known Jyesthimalla’s have kept training Akhada’s right up to present day. The Jyesthi’s are a sub-caste of the Modha Brahmins, and as such worship the Indian deity, Krishna.

It is interesting to note that the Jyesthimalla’s have been referred to in ancient literature, as far back as the 12th and 13th centuries. They have always had the distinction of being Ayudhajivi Brahmanas, that is Brahmins (the priest caste) living on arms.

The Jyesthi’s living in the 16th century were renowned athletes, and thought of as being synonomous with fighting. In fact, to this day, there is an expression in the state of Gujarat, ‘the Jyesthimallas are fighting’, and it is used to describe any serious duel between two combatants.

The Jyesthi’s have had a long tradition of working as bodyguards to marriage parties, and have been patronised by kings, princes and rulers for many centuries.

In the early 19th century, the Jyesthimallas were sponsored by the Gaekwads, and so, many were invited to Baroda from Dalmal and Hyderabad. Those that came from the Hyderabad continued to maintain their family’s fighting tradition right up until modern day; but sadly, by the late 1980’s there were only several surviving practitioners of this ancient art still living in Baroda. Even then, it was an art on the verge of extinction.

 

Indian Wrestling TextThe 1st page of the Mallapurana text preserved at the Oriental Research Institute in Poona.


 

Conclusion:

 

In this the 21st century, we see ourselves at the very pinnacle of evolution in as far as the combative arts go. And this may well be the case – due not to the effort of any single individual, but rather to the advent of the information explosion. We simply have more information at our fingertips today, than we have ever had in the history of mankind. Via the internet and cable television, any 15 year old can keep abreast of what is happening at any given moment. The magazine racks are crammed with publications to cater for every taste. Martial arts schools flourish on every corner.

But it has not always been this way. To put things in context; only twenty years ago, nobody outside of Brazil had heard of Brazilian Jiu Jitsu or Vale Tudo. Forty years ago, the term ‘Kickboxing’ hadn’t even been coined yet. Sixty years ago, no-one had ever heard the words ‘Karate’ or ‘Kung Fu’ outside of the Orient. In other words, our history of professional mixed martial arts is a very short one indeed; some would say, even non-existent.

It is worth the effort, at least in my opinion, to peer back into time, and examine arts such as those practised by the Vajramushti fighters, and marvel at the sheer wonder and history of it all. Over centuries, such arts were developed, who knows to what amazing degree; for no video cameras existed and no cable television networks were there to broadcast the struggles of these time-forgotten athletes.

It takes several decades, and the work of many, to develop an art to the point where it’s level of effectiveness outweighs it’s theoretical musings – but sadly, with the passing of only one generation it can all be forgotten as if it had never existed at all. The world is growing smaller; history and legends fade by the minute – but if we pay attention and keep our hearts open, much can still be preserved.

– John B Will

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Gods of Science and Discovery

Hindu Mind of Science

In our modernist parlance science and religion are held to be polar opposites. Scientific is equated with being rational, logical and in tune with reason. Religion however is seen as backward, laughable and regressive, as well as totally obscurantist. Yet how does this equate with the fact that many of the scientific strides came from India, a land and civilisation which has endured from ancient times and retains its core spirituality?

The ancient Indus Valley Civilisation dates back 5000 years. Yet the earliest excavations revealed that it must have been developed by a highly complex and intelligent society. Urban centres were planned on a chequerboard pattern with sophisticated drainage and sanitation. The same scientific knowledge was responsible for the reservoir and drainage systems which fed the agricultural base.

Further centuries saw incredible developments in the forging of bronze and iron weapons. Treatment of diseases such as leprosy, cataracts and smallpox. Trigonometric functions were used by the mathematician Aryabhata in the fifth century. The calculus theorem now known as “Rolle’s theorem” was stated by mathematician Bhāskara II, in the twelfth century. It is that to which we now turn.

The Vedic texts treated numbers as sacred and developed highly complex mathematics, especially in geometric constructions. Despite being known today as ‘Arabic’ the decimal number system originated from India. This is one of the most important gifts Hindu civilisation gave to the world. Modern calculations would be unthinkable without this. Key to this is the use of zero, which represents the empty set, nothing, no value.

To us it seems normal but it was an incredible feat of the ancient Hindu mind to realise that ‘nothing’ could be represented. Is it so logical? After all nothing is ‘nothing’? So why represent it? We cannot possible understand this unless we understand the mind which gave rise to the possibility that even ‘nothing’ could be understood in symbolic terms. And to do this that mind had to think both abstractly and delve into deep spiritual consciousness. This means we must revaluate our prognosis that science and spirituality stand at polar opposites of the spectrum in human understanding.

What led to ‘nothing’ be represented by the now familiar circular symbol which we call ‘zero’? Only a human mind which could understand the idea of ‘nothingness’. In this state of eternal bliss free from materialistic ties. This can only be achieved by moksha which is escape from the cycle of rebirth which one is fated to endure. If the mind is obsessed by hedonism and materialism it is destined to be tied to the wheel of reincarnation. But to achieve moksha is to be liberated from this.

It is the understanding of moksha which led the ancient Indian mind to understand that the empty set had a value, a very important value, the most profound value. Hence in ancient India the spiritual and scientific worlds were united and never separate. That is why Hindu civilisation has endured while others have perished. That is also why what we deem as western scientific development has at its core the essence of Indian spirituality.

Let us end this by looking at the most obvious example. Computing could not have developed without binary. And binary could not have developed without zero. Here ‘nothing’ as a value is essential. It is in fact so essential that without ‘nothing’ there would have been no computing. Technologically we would have all remained in the dark ages. So we can thank the ancient Hindu mind for showing us the light.

 

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Historical Epochs

European Shadows Upon the Sword of the Goddess

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Historical Epochs

God Against the Gods : Battle Millennia

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